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27-Sep-2018 13:45

The songs may be dressed up differently, but the musical & lyrical intensity we’ve come to expect from her are still there in abundance.

“The Devil” is peppy and creepy in equal measure, with a chilling melody floating above a steady beat.

Lyrically, it was a perfect choice for this occasion, and she delivers some passionate vocals along with sensitive guitar work from Josh Klinghoffer.

This may not be an essential album to casual PJ Harvey fans, and even more seasoned fans (like I’ve become these past few weeks) may not need it in their collections, but the inclusion of four non-album tracks and all-around solid musicianship make it a worthwhile addition, even if I may not play it as frequently as her studio albums.

Her next studio album, White Chalk (2007), seemed like a huge change of pace at the time, as most of the songs highlight piano and various keyboards (instead of guitars) along with high-pitched gothic (but not “goth”) vocals.

Now that I know her previous work a lot better, I don’t consider this such a drastic departure.

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She’s talking at a graveside, asking for advice (“If I lay on the earth, could you hear? “The Piano” is deceptively simple, with lots of subtle tempo & rhythmic shifts, and a gently driving beat during the repeated “Oh God I miss you” refrain.The Peel Sessions 1991–2004 (2006) collects 12 performances from five sessions Harvey did for legendary British DJ John Peel.The first six songs feature the original trio, with four songs from Dry sounding similar to their album counterparts, as well as two others I hadn’t heard before.The album closes with “The Darker Days Of Me & Him,” a powerful tune with hushed vocals, sparse guitar & percussion.There’s a great lilting melody in the verses, and the song slowly builds in volume and intensity as she recalls a bad relationship (“I’ll pick up the pieces, I’ll carry on somehow”).

She’s talking at a graveside, asking for advice (“If I lay on the earth, could you hear? “The Piano” is deceptively simple, with lots of subtle tempo & rhythmic shifts, and a gently driving beat during the repeated “Oh God I miss you” refrain.The Peel Sessions 1991–2004 (2006) collects 12 performances from five sessions Harvey did for legendary British DJ John Peel.The first six songs feature the original trio, with four songs from Dry sounding similar to their album counterparts, as well as two others I hadn’t heard before.The album closes with “The Darker Days Of Me & Him,” a powerful tune with hushed vocals, sparse guitar & percussion.There’s a great lilting melody in the verses, and the song slowly builds in volume and intensity as she recalls a bad relationship (“I’ll pick up the pieces, I’ll carry on somehow”).The first is “Naked Cousin,” a song originally included on a soundtrack album.